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api.openPopup(\'pinterest\'); } }); }); Click here to know the source of this image Manto, a film by Nandita Das, is a biopic on the Urdu writer Saadat Hasan Manto. Manto lived during 1912-1955. This film depicts his life especially during pre and post-independence days and partition time seamlessly interspersed with five of his most famous and poignant short stories: Dus Rupay, 100-Watt Bulb, Khol Do, Thanda Gosht and Toba Tek Singh. The film narrates his life through these stories. Manto was known to write unpleasant truths of our society, which people generally did not prefer to write or talk about. And his writings made him a controversial writer too. Manto is best known for his stories of partition days which very genuinely covers what people went through those days. Nandita’s attempts need applause for the way she has depicted the various events, its contexts in Manto’s life through his works. Manto was an unapologetic writer and he used to pour his experiences, views in his writings. He had to even face court trials in lieu of the obscenity in his literary works, was accused of writing materials not worth of set benchmark of literature. But Manto believed in what he wrote since his writings mirrored the society. He even wrote about prostitutes, pimps, subversive sexual slavery of women etc. The film Manto begins in Bombay pre-independence and continues to his life in Lahore when he and his family shifted to Pakistan post-independence. The film recreates the old Bombay and Lahore. Kartik Vijay’s cinematography justifies the feel and era of the film.  It is painful to watch the film since it covers the reality. The tragedy is that things have not changed much even after seven decades of freedom. Manto’s stories reflect lot of happenings of our today’s society too. Certainly, the feel after watching Manto is that it could have had more depth and coverage of his life, but one would feel the pain, turmoil, the transformations of Manto and his growing sense of isolation during the most definitive period of his life. When Manto in the film feels the pain of leaving Bombay and misses everything he had in India, viewers are bound to feel the same pain and agony. The film not only narrates about Manto in his biopic but through Manto and his stories, it shows the glimpse of the trauma India and Pakistan went through post partition. Even though this biopic leaves one with the feeling of wanting more, but it certainly needs to be watched. Click here to know the source of this image Manto begins with a scene from his story Dus Rupay, where we see a young girl apply makeup before she leaves to be with her clients. Then we see Manto in Bombay, confronting a film producer (Rishi Kapoor) to pay him his dues for the script he wrote. Manto is also seen commenting on Ismat Chughtai’s (Rajashri Deshpandey) writing. Manto is shown to have sharp tongue where he does not refrain from mocking at his best friend and upcoming actor Shyam Chaddha’s smoking cheap cigarattes. Days change, India gets independence but Hindus and Muslims are ripped apart. Manto had to choose to migrate to Pakistan along with his wife Safia (rasika Duggal) and daughters. His life changes in Lahore. He misses everything about Bombay, his friends and his life over there. Manto struggles to come to terms with his new reality at Lahore, he does become addicted to alcohol. The film takes Manto’s story and struggles ahead through his own other stories. Parts of each of the story is filmed with independent set of actors projecting the story of real Manto and his challenges. Manto is shown to be a man who lived for writing. In a court scene, where Faiz Ahmed Faiz defended Manto when he was charged of obscene writing but commented about the standard of his writing not at par with literature, Manto was bothered with the latter more. Click here to know the source of this image Certain dialogues in the film are very hard-hitting. One of the dialogue when he is asked by his wife Safia that why he carries variety of caps (Hindu Topi, Muslim Topi etc.) he says: Jab mazhab ki baat dil se nikalkar sar par chadh jaye to alag alag topi pahanni padti hai. Nawazuddin Siddiqui excels in the titular character. He brilliantly embodies Manto’s character and brings life to the same on screen. Rasika has given a great performance as Safia. Rest of the characters played by Tahir Raj Bhasin, Shashank, Rajashri Deshpandey had less screen time, but definitely good. Rishi Kapoor, Ranvir Shory, Divya Dutta, Javed Akhtar, Vinod Nagpal, Chandan Roy Sanyal, Ila Arun, Paresh Rawal, Tilotama Shome, Gurdas Mann, Bhanu Uday are also seen in the film. Click here to know the source of this image The music of the film is composed by Sneha Khanwalkar and Raftaar.  The music strikes the right chord with the heart. The much famous lyrics of Faiz Ahmed Faiz - “Bol Ke Lab Azaad Hain” is beautifully sung by Vidhya Shah and Rashid Khan. Nagri Nagri is in the voice of Shankar Mahadevan. The lyrics of other songs are being penned by Dibakar Banerjee, Seemab Akbarbandi, Meeraji and Saadat Hasan Manto. Manto is a film on his life and brutally honest reflection of the society during pre and post-independence days and partition time seamlessly interspersed with five of his most famous and poignant short stories: Dus Rupay, 100-Watt Bulb, Khol Do, Thanda Gosht and Toba Tek Singh. The tragedy is that things have not changed much even after seven decades of freedom. Manto’s stories reflect lot of happenings of our today’s society too. Certainly, the feel after watching Manto is that it could have had more depth and coverage of his life, but one would feel the pain, turmoil, the transformations of Manto and his growing sense of isolation during the most definitive period of his life. Even though this biopic leaves one with the feeling of wanting more, but it certainly needs to be watched. Rating: 3.5/5 (Good ) Buffer reddit_url = \"http://lenzscope.com/review-of-manto/\"; reddit_title = \"Review of Manto\"; Like this:Like Loading... Related Filed Under: Bollywood, Cine Spot Tagged With: Bhanu Uday, Chandan Roy Sanyal, Divya Dutta, Gurdas Mann, Ila Arun, Javed Akhtar, Nandita Das, Nawazuddin Siddique, Paresh Rawal, Rajashri Deshpandey, Ranvir Shory, Rasika Duggal, Review of latest bollywood film, Review of Manto, Rishi Kapoor, Shashank, Tahir Raj Bhasin, Tilotama Shome, Vinod NagpalCurator Welcome and thanks for visiting LenzScope. I am Bindu Cherungath, who took to blogging as one of my main passions due to my fascination towards cinema and its reach as a powerful medium to connect people together. Here, at LenzScope, we bond with you on Films, Art, Music, Books, Events, Film Festivals and also explore many other common interest. To know more, please click here. 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api.openPopup(\'pinterest\'); } }); }); Click here to know the source of this image Batti Gul Meter Chalu, a film by Narayan Singh, is the story of inflated electricity bills and corruption in the system. The film certainly has a very relevant message to convey but the melodrama dominates. The melodramatic depictions as well as the running time of almost 3 hours make the film weak, but one can not ignore the issue raised in the film. Love triangle between the three lead protagonists of the film in the context of the issue raised is not too strong to hold the audience engaged. The film does convey that corrupt energy suppliers don’t allow small scale industries to prosper since most of the time these businesses are plagues with load shedding and power cuts but still getting inflated electricity bills. The premise of the story is that a young entrepreneur Sundar (Divyendu Sharma) who starts a packaging company, gets mentally tortured with the inflated electricity bills. His childhood friend Sushil Kumar Pant aka SK (Shahid Kapoor), who does not generally have any ethical stand as far as his profession is concerned, acts as per his conscience and fights the court battle against the mighty Power Company. Shraddha who plays the role of their friend cum designer Lalita ‘Nauti’ Nautiyal joins SK in his fight against the corrupt system. The film does show that when the whole set of consumers join hand together even the mightiest corporation can become weak and end up yielding to the justice. Click here to know the source of this image Set in Tehri in Uttarakhand, the film begins with two of the travellers in Bus - Vikas and Kalyan unraveling the story of three friends SK, Sundar and Lalita. The names Vikas and Kalyan are purposefully chosen to take a dig at the development and welfare activities of our country. Certain dialogues do project that how development and welfare activities are just on papers whereas not happening in reality in the afflicted areas. Sk is an advocate who makes money with out of court settlements. Sundar dreams of making it big through his entrepreneurial venture. And Lalita is a designer who thinks of herself as one of the best and superior designer. The first half of the film builds up the plot of how the friendship between the three gets converted into a love triangle. The second half is spent mostly in the court scenes where SK confronts with the defense lawyer Gulnaar (Yami Gautam). Click here to know the source of this image The dialogues are written in pahadi style with most of the statements ending with ‘Bal’. ending. SK’s over the top claptrap dialogues with cringey sexist jokes aimed at Gulnaar somewhere dilutes the message of the film. All the three main protagonists - Shahid, Shraddha and Divyendu play their parts well. Yami is also good. Sushmita Mukherjee as judge is good. Samir Soni has a small role as the owner of the Power Company as Sanjay Baduriya. Badral Islam and Sharib Hashmi as Kalyan and Vikas respectively narrate the story. Batti Gul Meter Chalu is a film which raises a valid issue that of inflated electricity bills and corruption in the system. But the melodramatic depiction as well as the running time of almost 3 hours make the film weak, although one can not ignore the issue raised in the film. Rating: 2.5/5 (Average ) Buffer reddit_url = \"http://lenzscope.com/review-of-batti-gul-meter-chalu/\"; reddit_title = \"Review of Batti Gul Meter Chalu\"; Like this:Like Loading... Related Filed Under: Bollywood, Cine Spot Tagged With: Batti Gul Meter Chalu, Divyendu, Review of Batti Gul Meter Chalu, Review of latest bollywood film, Shahid Kapoor, Shraddha Kapoor, Shree Narayan Singh, T Series, Yami GautamCurator Welcome and thanks for visiting LenzScope. I am Bindu Cherungath, who took to blogging as one of my main passions due to my fascination towards cinema and its reach as a powerful medium to connect people together. Here, at LenzScope, we bond with you on Films, Art, Music, Books, Events, Film Festivals and also explore many other common interest. To know more, please click here. 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api.openPopup(\'pinterest\'); } }); }); Click here to know the source of the image Varathan, a film by Amal Neerad, is a thriller which portrays different shades of voyeurism, misogyny and the lecherous looks of a few men leaving the female protagonist unable to feel safe within her own home. One can easily relate with the film since the story does talk about the paranoia which engulfs females in the society when their instincts tell them about the unsafe environment around them. The film also does justice to the helplessness, fear, pain and outrage experienced by women when they face the evil elements of the society. Its pace is slow but probably the story demanded this pace. The climax scene is gripping. Abin (Fahadh Faasil) and Priya (Aishwarya Lekshmi) decide to relocate to India from Dubai. They decide to stay in the ancestral property of Priya where the antique things including gun used by Priya’s grandfather are kept safe. Amal Neerad does give clues from the very beginning regarding how intends to unravel the plot. Both Abin and Priya’s nature is established with a scene where a cockroach is seen. Abin just lets it go but Priya kills it immediately telling that she won’t allow the cockroach to enter her home. Priya instinctively picks up cues when she gets the uncomfortable looks from the people in the village and when she expresses this to Abin, he just asks her to ignore. Abin is shown to be having a very cool temperament. How their lives take an about turn when Priya experiences mental torture due to the voyeuristic deeds of Josey (Sharafudheen) and his gang. Click here to know the source of the image The film is engaging; especially the climax scene is fast, gripping and well shot. Even an important message is conveyed in the last scene that it is high time females stand up for themselves instead of expecting strength and support from their better halves since they are powerful and empowered from within. The film also highlights the importance of creating a society where everybody has the basic right to live in a fear-free environment and feel secure. Abin’s cool demeanour does make one uncomfortable in the beginning but the climax compensates where he transforms into a protector’s role. Varathan’s cinematography is done by Little Swayamp which is brilliant and in absolute sync with the mood of the film. It captures the beauty of the location so nicely. Faahad, Aishwarya and Sharafuddin are brilliant in their respective roles. Varathan, a film by Amal Neerad, is a thriller which portrays different shades of voyeurism, misogyny and the lecherous looks of a few men leaving the female protagonist unable to feel safe within her own home. One can easily relate with the film since the story does talk about the paranoia which engulfs females in the society when their instincts tell them about the unsafe environment around them. The film also does justice to the helplessness, fear, pain and outrage experienced by women when they face the evil elements of the society. Its pace is slow but probably the story demanded this pace. The climax scene is gripping. Rating: 3.5/5 (Good )   Buffer reddit_url = \"http://lenzscope.com/review-of-varathan/\"; reddit_title = \"Review of Varathan\"; Like this:Like Loading... Related Filed Under: Cine Spot, Malayalam, Regional Language Tagged With: Aishwarya Lekshmi, Amal Neerad, Fahadh Faasil, Littil Swayamp, Malayalam Film Review, Nazriya Nazim, Sushin Shyam, Varathan, Varathan The Movie, Vivek HarshanCurator Welcome and thanks for visiting LenzScope. I am Bindu Cherungath, who took to blogging as one of my main passions due to my fascination towards cinema and its reach as a powerful medium to connect people together. Here, at LenzScope, we bond with you on Films, Art, Music, Books, Events, Film Festivals and also explore many other common interest. To know more, please click here. 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api.openPopup(\'pinterest\'); } }); }); Image Source Karwaan, a film by Akarsh Khurana, is a road trip with difference. Here, three individuals, who are different from one another, happen to travel together with a purpose. How the journey helps them to undergo the process of self-discovery and acceptance forms the story. The plus point of the film is the combination of two most effortless actors – Irrfan Khan and South Indian heartthrob Dulquer Salman. In fact the concept of the film is also nice that how one’s life itself is an ongoing process of constant self-discovery, exploration, acceptance, change etc. The film also focuses on how important it is to be tolerant towards others’ perceptions too. The minus point of the film is that in an effort to treat the concept unconventionally, the film takes a very subtle tone throughout, the screenplay has tremendous scope of improvement. It is a likable film. Dulquer makes his debut in Hindi films through Karwaan. He plays the character of Avinash representing those people, who left their passion behind by succumbing to the authority figures of their lives. He always wanted to be a photographer, but yielded to his father’s command to be employed with IT Company in Bengaluru. Avinash is dispassionately living his job and life. He feels that his father is responsible for this unhappy choice which he had to make in his life. One day, he gets the news of his father’s death in an accident. Image Source He contacts Shaukat (brilliantly played by Irrfan Khan) to help him with a vehicle to fetch his father’s body. Shaukat decides to join Avinash to fetch his father’s body. Shaukat’s van has Majrooh Sultanpuri’s shayri written on it: मैं अकेला ही चला था जानिब-ए-मंज़िल मगर लोग साथ आते गए और कारवाँ बनता गया I Wrong corpse is given to Avinash. On enquiry, he comes to know that his father’s body has got exchanged with Tahira (Amla)’s mother (Cochin).  Tanya (Mithila Palkar), the grand-daughter joins Avinash and Shaukat and that is how Karwaan begins. Tanya represents the youth who does not believe in any rights and wrongs, and not at all apologetic for her relationship. She lives her life like a free spirit who chooses to live life on her own terms and conditions. All the three characters are different from one another but the commonality between them is that all of them are emotional and sensitive in their own manners. What do Shaukat, Avinash and Tanya discover about self during this journey, and which aspects of their personality get exposed to the viewers? This Karwaan turns out to be functional for them or not? Do they realize, how they want to handle their lives ? Do they learn the art of forgiveness and tolerance? Image Source About the cast, Irrfan is superb. He is an acting school by himself who carries the role with so much ease. His spontaneity in delivering the dialogues is very nice. Wish him speedy recovery from the dreaded disease. Dulquer who is known for his screen presence and effortless acting in the south is absolutely comfortable in the skin of Avinash. Mithila as Tanya is good, bubbly, certainly could have been more effective. We get to see Kriti, Amala and Akash Khurana on screen for a brief time. They do play pivotal roles which help us to understand the characters further. The cinematography is good reflecting the beauty of South India. Music could have been better. Certain dialogues are good : Haq jamane se pahle rishta nibhana chahiye. Karwaan had the potential to be a great meditative film talking about some basic but very important philosophies of life but it takes a very subtle tone throughout and fails to make the impact which it could have created. Watch it for Irrfan, Dulquer and a few terrific scenes.  Rating: 3/5 (Good)   Cast and Crew Details: Source - Wikipedia Page Cast: Irrfan Khan (Shaukat), Dulquer Salman (Avinash), Mithila Palkar (Tanya), Kriti Kharbanda (Rumana), Amala (Tahira), Akash Khurana (Avinash’ father) Directed by: Akarsh Khurana Produced by: Ronnie Screwwala, Priti Rathi Gupta Written by: Hussain Dalal (dialogues) Screenplay by: Akarsh Khurana Story by: Bejoy Nambiar Music: Prateek Khuhad, Anurag Saikia, Slow Chettah, Imaad Shah Cinematography: Avinash Arun Edited by: Ajay Sharma Production Company: RSVP Movies, Ishka Films Distributed by : RSVP Movies Release Date: 3rd August, 2018 Duration: 114 minutes Language: Hindi Buffer reddit_url = \"http://lenzscope.com/review-of-karwaan/\"; reddit_title = \"Review of Karwaan\"; Like this:Like Loading... Related Filed Under: Bollywood, Cine Spot Tagged With: Akash Khurana, Amala, Dulquer Salman, Irrfan Khan, Karwaan, Kriti Kharbanda, Mithila Palkar, Review of Hindi Film, Review of Karwaan, Review of latest bollywood filmCurator Welcome and thanks for visiting LenzScope. I am Bindu Cherungath, who took to blogging as one of my main passions due to my fascination towards cinema and its reach as a powerful medium to connect people together. Here, at LenzScope, we bond with you on Films, Art, Music, Books, Events, Film Festivals and also explore many other common interest. To know more, please click here. 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api.openPopup(\'pinterest\'); } }); }); Image Source Fanney Khan, a film by debutant Atul Manjrekar, generates mixed emotions. Similar to the distorted spelling in the title, the screenplay seems distorted at places due to not-so-believable plots with less of logic in place; but one can certainly connect with the film. One can give the benefit of doubt to the film for its genre being comedy. The film Fanney Khan represents lot of such people, who dare to see dreams but find them unfulfilled as well. Then they see the same dream through their children. There is nothing wrong in this, but the desperation to achieve the same may prompt them to cause some blunders. There are also scenes of body shaming. One vital question which is raised in the film is whether it is necessary to be star? In spite of having a great cast, the film fails to create the impact it could have made. The film begins with the narration by Rajkummar Rao who explains about Fanney Khan, a person with whom everybody enjoys. The Titular character is played by Anil Kapoor, who is Prashant Sharma aka Fanney Khan. He is an artist by passion but had to join a factory for his job. Divya Dutta enacts the role of Kavita Sharma, Fanney Khan’s wife. She is shown to be a simple lady. Adhir, a younger colleague of Fanney Khan, is played by Rajkummar Rao. Fanney Khan is determined to make her daughter Lata (Pihu Sand) a known singer just like the celebrity singer Baby Singh aka Sumitra (Aishwarya Rai). The challenge with Lata is that she is obese which did result in humiliating comments from the audience, whenever she went on stage to sing and perform. Fanney Khan and Kavita act as strong support systems for their daughter. Fanney khan chooses a short cut to earn money so as to be able to get Lata’s dream come true. But things go awry. Image Source Certain scenes are absolutely unexplainable. Daughter Lata’s irritation with her father Fanney Khan is not at all justified. A celebrity is being kidnapped, but with occasional news clippings, no other actions are taken in this regard. Screenplay does not focus much on Lata’s character. Kavita is always shown to be very understanding and tolerant, in fact, this character is also not well explored. Aishwarya and Rajkummar are looking good on screen together but their chemistry was explored very little in the film. Pihu does justice to her role as Lata. Girish Kulkarni as Baby Singh’s manager excels, but again he had not much to do. The film is supposed to be based on music, but except the climax song ‘Tere Jaisa Tu Hai…….’ the other songs don’t leave much impact. There is another song with the names of a few of the famous films, it seemed interesting. Fanney Khan, a film by debutant Atul Manjrekar, generates mixed emotions. Similar to the distorted spelling in the title, the screenplay seems distorted at places due to not-so-believable plots with less of logic in place; but one can certainly connect with the film. One can give the benefit of doubt to the film for its genre being comedy. In spite of having a great cast, the film fails to create the impact it could have made. Still, one can watch the film.  Rating: 3/5 (Good) Cast and Crew Details: Source - Wikipedia Page Cast: Anil Kapoor (Prashant Kumar aka Fanney Khan), Aishwarya Rai Bachchan (Baby Singh),  Rajkummar Rao (Adhir), Divya Dutta (Kavita Sharma), Pihu Sand (Lata), Satish Kaushik (Kader Bhai), Girish Kulkarni (Karan Kakkad) Directed by: Atul Manjrekar Buffer reddit_url = \"http://lenzscope.com/review-of-fanney-khan/\"; reddit_title = \"Review of Fanney Khan\"; Like this:Like Loading... Related Filed Under: Bollywood, Cine Spot Tagged With: Aishwarya Rai Bachchan, Anil Kapoor, Divya Dutta Pihu Sand (Lata), Girish Kulkarni, Latest Hindi Film Review, Latest Hindi Film Reviews, Rajkummar Rao, Review by Bindu Cherungath, Review by Lenzscope, Review of Fanney Khan, Review of latest bollywood film, Satish KaushikCurator Welcome and thanks for visiting LenzScope. I am Bindu Cherungath, who took to blogging as one of my main passions due to my fascination towards cinema and its reach as a powerful medium to connect people together. Here, at LenzScope, we bond with you on Films, Art, Music, Books, Events, Film Festivals and also explore many other common interest. To know more, please click here. 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api.openPopup(\'pinterest\'); } }); }); Image Source Mulk, a film by Anubhav Sinha, strikes the right chord of humanity. It does convey in the very beginning that the film is inspired from the true events. Mulk is an attempt to raise the voice against the prejudices existing in our country (as well as at a global level too). The word Terrorism is connected instantly and spontaneously to the community Muslims. But the film very strongly tries to put across the dictionary meaning of the word ‘Terrorism’ which is “the unlawful use of violence and intimidation, especially against civilians, in the pursuit of political aims”. So, as per the definition, many other activities could also fall under terrorism. Terrorism is actually criminal not communal. Terrorism does not have anything to do with the religion.  But the frame of reference is in such a manner that we label a community synonym to terrorism. The film also projects a very sensitive topic in the most sensible manner. The film highlights that the Mulk is divided between ‘Us’ and ‘Them’. This very differentiation makes the whole problem even more challenging to be solved. The film did attract controversies in the social media for the statistics mentioned in the poster. This review does not focus on any statistics or data or facts or figures but this review definitely highlights that how relevant it is to have such a film even in 2018, post 71 years of independence. The film is indeed very close to the reality. Some might compare the film with Garam Hawa (a masterpiece film released in 1973). Garam Hawa dealt with the plight of those people as well as the adverse situations faced by them who chose to stay back in India itself and decided not to migrate to Pakistan. Even after so many years, the wound of partition has not healed. Mulk not only focuses on the plight of a North Indian Muslim family who chose India post-independence, but also it emphasizes on the poisoned mindset which needs to be changed, the frames of references which need reality checks. It is not that the film does not get preachy at times, it is not that at times drama gets a bit exaggerated, but these can be very well ignored since the intention of the film is too good and needs to be applauded. Not only every Indian but every human being all across the globe must watch Mulk, since it is the necessity of the mankind to have peace all across the ecosystem especially when we are living in a nation of religious, social, cultural, linguistic diversities. Image Source The film begins with a beautiful concept of how a simple dot and its placement changes the meaning of Khuda (خدا) to Juda (جدا). It is in the streets of Banaras, where Shahid (Prateik) enters the screen. Shahid is the son of Tabassum (Prachee Shah Pandya) and Bilaal Mohammed (Manoj Pehwa). Bilaal is the younger brother of Murad Ali Mohammed (Rishi Kapoor). Neena Gupta plays the role of another Tabassum as wife of Murad Ali. Aarti (Taapsee) is married to Murad and Tabassum’s son Farhad (played by Indraneil Sengupta – both settled in London). Shahid’s sister Aayat is shown to be attracted towards Shahid’s friend Rasheed (Ashrut Jain). It is the celebration time in the family, since it is Murad Ali’s 65th birthday and Aarti joins the family for the celebrations. The family is celebrating on one side but they are completely unaware of what is in store for them ahead. One of the family members is identified to be a terrorist responsible for a bomb blast and he is further killed in the encounter. There begins the ordeal of the whole family and a very intense court drama. Murad Ali, who himself is an advocate, finds himself to be accused by the prosecution. Murad’s family is ridiculed, humiliated, hounded, ostracized by the society, friends and they even get attacked by a stone-throwing mob. The public prosecutor’s character Santosh Anand is played by Ashutosh Rana. Santosh is sarcastic.  Dialogues used for his most of the arguments focus on the poisoned mindset, venom and the prejudices which the society holds against a particular community. He does not leave any stone unturned to tar the entire community for the violent actions committed by a few. Santosh versus Aarti courtroom drama is intense. Image Source The film is predictable, rather the clue is given right at the beginning.  But what makes it engaging is how the drama unfolds. Most of the dialogues are hard-hitting. The characters of Rajat Kapoor (Anti Terrorist Squad officer - Danish) and immensely likeable Kumud Mishra playing the judge are sketched in such a way that the film does not turn out to be a one-sided affair. Although One must not expect the subtlety in the film. Music could have certainly been better. ‘Khudara’ song is good. Another thing which the screenplay missed out to justify probably is the character sketching of one of the supporting cast, who admits only later after much reluctance that he was aware of his friend’s terrorist links. What made him change his decision to come out in open is not clear. Image Source Rishi Kapoor is just awesome as a protective head of the family who gives a very restrained performance. In spite of being victimized, he kept his love for the nation intact. His helpless expressions at times itself raised many questions. A dialogue where he shares with his daughter-in-law Taapsee that how actually he could prove his love for the nation would pierce your heart. Taapsee has proved her acting mettle once again with Mulk. She is good as a defense lawyer, where she brings in the perfect balance towards her roles as a lawyer and also as the daughter-in-law trying to protect her family. Her aghast expressions would also leave you in shock at times. Manoj Pahwa, who is generally so good with the comedy, steals the show this time in the terrific and serious role of Bilaal. Ashutosh as Santosh Anand is also too good, one will hate him for his dialogues. Another set of noticeable performances come from Kumud Mishra as the judge, Neena Gupta and Prachee as Tabassum. Rajat Kapoor as always is very good as Anti-Terrorist Squad officer. Prateik Babbar, Ashrut Jain, Indraneil Sengupta, Atul Tiwari (Chaube) come on screen for a short while though, but are good and do justice to their roles. Ayaat’s role is also played well. Shot in the bylanes of Banaras, the cinematography captures the essence of the town - be it capturing the streets, or Masaan or street shops etc. Image Source Mulk, a film by Anubhav Sinha, strikes the right chord of humanity. Mulk is an attempt to raise the voice against the prejudices existing in our country. Mulk not only focuses on the plight of a North Indian Muslim family who chose India post-independence, but also it emphasizes on the poisoned mindset which needs to be changed, the frames of references which need reality checks. It is not that the film does not get preachy at times, it is not that at times the drama gets a bit exaggerated, but these can be very well ignored since the intention of the film is too good and needs to be applauded. Not only every Indian but every human being all across the globe must watch Mulk, since it is the necessity of the mankind to have peace all across the ecosystem especially when we are living in a nation of religious, social, cultural, linguistic diversities.    Rating: 4.5/5 (Very Good )   Cast and Crew Details: Source - Wikipedia Page Cast: Rishi Kapoor (Murad Ali Mohammed), Taapsee Pannu (Aarti), Rajat Kapoor (Danish), Neena Gupta and Prachee (Tabassum), Manoj Pahwa (Bilaal Mohammed), Ashutosh Rana (Santosh Anand), Prateik Babbar (Shahid), Ashrut Jain (Rashid), Indraneil Sengupta, Directed by: Anubhav Sinha Produced by: Deepak Mukut and Anubha Sinha Written by: Anubhav Sinha Music: Songs - Prasad Sashte, Anurag Saikia, Score: Mangesh Dhakde Cinematography: Ewan Mulligan Edited by: Ballu Saluja Production Company: Banaras Mediaworks, Soham Rockstar Entertainment Release Date: 3rd August, 2018 Duration: 2 hours and 20 minutes Language: Hindi       Buffer reddit_url = \"http://lenzscope.com/review-of-mulk/\"; reddit_title = \"Review of Mulk\"; Like this:Like Loading... Related Filed Under: Bollywood, Cine Spot Tagged With: Anubhav Sinha, Ashrut Jain, Manoj Pahwa, Mulk, Neena Gupta, Prachee, Prateik Babbar, Rajat Kapoor, Review of Hindi Film, Review of latest bollywood film, Review of Mulk, Rishi Kapoor, Taapsee PannuCurator Welcome and thanks for visiting LenzScope. I am Bindu Cherungath, who took to blogging as one of my main passions due to my fascination towards cinema and its reach as a powerful medium to connect people together. Here, at LenzScope, we bond with you on Films, Art, Music, Books, Events, Film Festivals and also explore many other common interest. To know more, please click here. 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